Ewan
We'd just finished shaking hands and were climbing back on our bikes when a young guy on a Ural motorcycle rode up. Dressed in leather jacket, jeans, shades and a Stars and Stripes bandana with a star positioned smack in the middle of his forehead, he looked like a real greaser biker. The bike, which was belching black smoke, had been fitted with high handlebars, like a chopper. As he came to a stop, he raised his right hand, gave us the finger, jumped off the Ural, relying on a bystander to grab it instead of using the side stand, and whipped out a camera. It was a professional paparazzi camera, the type I'd seen too many times before, with a long, fast lens. He hosed us down with the camera, laughing as he did it. Charley and I jumped on our bikes and rode off. The paparazzo gave chase, riding down the street behind us. Pulling level with Charley, he let go of his handlebars and snatched his camera out of a holster on the side of the bike. Firing off another couple of dozen shots, he shouted "Is good, is good, is good," then zoomed off. We had to admire his style.
Long Way Round Ewan Mc Gregor and Charley Boorman pp175-6