Mark Richardson
So I fixed up the Bajaj 100 as best I could and then proudly showed it to the couriers. They admired the tightness of the chain, and nodded enthusiastically when I showed them how easily the levers pulled the cables. They stood back when I sat astride the bike and kicked its engine to life and they watched politely as I roared up the road, the revs rising higher and higher. And higher. And higher.
I rode back more slowly. "It won't shift out of first," I said. "It must be a problem with the clutch." I parked the bike and squinted at everything that could be squinted at, but all seemed fine. I worked the cable and poked at things, then got back on the bike and rode it back up the road. Again, the couriers watched politely and listened to the little engine scream against its red line, and again, they watched me return, and they looked sad.
"I guess its the transmission," I shrugged. "I should choose another bike."
A courier stepped forward. "May I try?" he asked, and I waved him toward the bike. He sat on it, kicked the kickstarter, listened to the engine, then set off up the road. I heard the motor's pitch rise and fall with each confident gear change, all the way to fourth. Then he turned around at the end of the road, put the bike into second and cruised gently back.
"I think, perhaps, you were using the pedal the opposite way," he told me with absolute courtesy, and of course he was right. The Bajaj was made in India and so its left pedal worked the rear brake and its right worked the gears. I already knew this, but even then, it was opposite to anything I'd ridden before: the gears were one push up, three pushes down. The courier had seen me jabbing the wrong way at the pedal when I wanted to shift into second, but had been too polite to mention it.
Motorcycle Messengers Jeremy Kroker (ed) pp30-1